the plot hard to follow, the text obscured

As a reader and a consumer of other media I have long known that, for me, plot is far and away one of the least important aspects of a work. My favorite part of a book or movie, especially a plot-driven book or movie, is almost invariably the beginning, before things start happening; I'll be far more engrossed by the interactions between people and their environment than I am by an alien invasion. I like things to move slowly, and I like to watch how the parts fit together. I used to think that this was a rejection of the change that invariably happens once the plot picks up (something I resisted in my own life), but I'm starting to wonder if maybe it's something deeper and more complicated than that.

Along with plot, I also have some issues with language, and I'm beginning to think that these two discontents are more connected than they seem. I have a deep-seated love of reading and of books and a respect for the way a string of well-placed words can sometimes almost chime, but I also have an equally deep abiding resentment at the limitations that language places on what I perceive as reality; I get deeply concerned about definitions, how they limit and change our perceptions, and I fear that using the "wrong" words can distort both my meaning and my understanding. Maybe this sounds a bit dramatic, but language is a large part of how we touch and understand other people, and often it seems so completely inadequate.

But lately I've also been considering the fallacies of trajectory, of plotline, when placed in the context of reality. Life is not a book, and yet I think there is a desire to shape it into a sort of storyline, to place events into a concrete order with a logical progression, to make assumptions about what may or may not have happened (or, even more dangerously, what will happen) and to manipulate actuality into a neat little package with all of the correct narrative elements represented. This may (or may not--I'm not sure) be fairly harmless when the context is an amusing vignette designed to make people laugh at parties, but it can be incredibly harmful when it is forced onto the messy, incomplete, and thoroughly glorious lives of real people. Language becomes not just definitionally problematic, but suspect in terms of authenticity.

The narrative that prompted me to this realization is one of transition, which makes sense when you consider personal change as a frequently integral aspect of plot arc. Many, many of my queer, genderqueer, transgender, and otherwise transgressive friends have been told or have had it implied to them that they are "not trans enough", a phrase which boggles my mind and seems to defy all logic. It implies that there is a way to be trans and, consequently, a way not to be trans, and that if you haven't fulfilled some sort of completely imaginary guidelines then you are a failure as an identity, as a person. This particular narrative arc seems to require you to start off as one thing (a man or woman) and become another (a woman or man) and that there is a way in which this is accomplished that is neat and correct and strictly defined, but it could be applied to any number of personal identity choices. The moral of this particular story is that if you choose to define your own identity, either theoretically or physically, you are a eyed with distrust. You are disrupting the arc.

This is bad enough when it is considered in terms of interactions with friends and acquaintances and such, but when you consider--for instance--the medical rhetoric regarding transition (or intersexuality, or queerness, or mental illness, or femaleness, or any myriad of other things at any given point in history) it becomes a much scarier prospect. The policing of narrative falls hardest on those who don't follow the storyline, and the consequences can range from discomfort to forced conformity to pain and death. It drastically reduces the possibilities available to us by criminalizing those who don't agree to follow the rules.

There are so many narratives, and by trying to see them as stories we can so easily negate their actual lived value and blind ourselves to what we could be learning from them. I'm not trans, so that isn't my narrative. But I don't want to be defined solely by my actions; I want to be defined by who I was and how I felt while I was doing things, and by the small moments of connection and insight that I witnessed along the way. This does not mean I am not prey to the wiles of story, because this blog and many of my daily interactions are full of stories. I don't know what that means. I don't want to impose order on the disorder of life, but it's so damn hard to communicate otherwise. That is the power of language: it is everywhere, and it is flawed and imprecise. I have no answers, just a lingering feeling that I'm either creating or destroying something, or maybe both.

we won't have a word for this except perhaps religion

Some nights I feel like, if I could just find a linguistic toehold, I could write something that felt really good. My mind is searching for that one sentence, the word that will trigger an idea that will grow into a chain that has--hopefully--some semblance of coherence, and that you will consequently read as you drink your coffee tomorrow morning. There are other things I should be doing rather than trying to write tonight. I should be, at the very least, doing dishes, and probably I should just be sleeping; this last while has not been kind to me in terms of awake-to-asleep ratios, and really I'm becoming too old to sleep so little. But I feel like the words are on the verge and I haven't been writing as much and I miss how it feels when it goes well and so here I am, waiting for my laundry to finish drying and for something to occur to me.

Life has been good to me lately (well, other than the lack of sleep), as it so often seems to be this year, and I've been using the word "win" a great deal. (Probably rather more than is strictly necessary. See also: awesome and amazing.) I smile a lot. At times like this, when everything seems to be more or less working in my favor, I often describe myself as sparkly, because I can almost feel the glints of light shining off of me, some sort of physical manifestation of deep and powerful joy that surely must be visible to others. I think sometimes people can tell when you're feeling a thing this strongly. It's like when I'm on the bus and thinking about sex and suddenly everybody seems to be smiling in my direction, except with happiness instead of hormones or pheromones or whatever. It feels like a wave inside of me sometimes, nearly strong enough to knock me out.

I spent most of my life in a sort of self-imposed mini-lockdown; I decided when I was very young--around seven--not to hope too hard for things, not to trust others too far, in order to protect myself from being hurt, and I essentially lived within that decision for the next two decades. I told myself that the only person I could really trust in my understanding of was myself, and that even that was precarious because how was I to know whether I was being rational? The world was an uncertain place, and I deeply feared a lack of rationality. Even after I got older and at least theoretically began leaving these ideas behind, I held myself in so tightly that I ended up with anxiety disorders and dysfunctional relationships, and my connections with other people suffered because it took me an unreasonable amount of time to believe that they were doing more than merely tolerating my presence. I was silent a lot. I never knew how badly this lack of trust, of hope, was hurting me until I stopped giving credence to it, began believing that I had worth and that it was more important to learn from others than to stay safe, but when I did my heart opened up just like it does when I fall in love and I felt suddenly and abruptly weightless, aloft on possibility.

I'm hyperbolizing, perhaps. It's both difficult and problematic to try and pin down the impact of an idea, never clearly articulated in quite this way until just now, on the past. All I know is that I was often unhappy and now I'm mostly not, and that the biggest change I can think of is that I finally believe that good things deserve to happen to me. I feel like such a cliche, one that says that I am beautiful and worthy and strong and dammit, hear me roar! but what I don't understand is why, if this is a concept that we for some reason feel comfortable mocking and holding up as overdone (those feminists with their "woman power..."), we don't yet entirely believe it. I suppose I shouldn't speak for others, but I know for myself and for many many people around me, there are far too many crises of faith.

I don't believe that I don't need to change, that I've reached some sort of higher level of self-love and personal actualization and it's smooth sailing from here on out. I'll always be changing. But I do believe that the way I am right now is completely wonderful and worth valuing as such, and that change is not merely a necessity; it's something that I can allow and appreciate and learn from and experience instead of just tolerating. I trust that I can survive it. I hope that I can do more than just survive.

I found this on a friend's tumblr tonight. I think that means maybe I was writing about the right thing.

hug an intersex person today, or every day

I swear I'll write something of my own soon. I've been kind of...distracted lately. Also busy. But this is from Queers United.

Oct 26th marks the 5th annual celebrate intersexual awareness day! Today is the (inter)national day of grass-roots action to end shame, secrecy and unwanted genital cosmetic surgeries on intersex children.

What is intersex?

Intersex refers to a series of medical conditions in which a child's genetic sex (chromosomes) and phenotypic sex (genital appearance) do not match, or are somehow different from the "standard" male or female. About one in 2,000 babies are born visibly intersexed, while some others are detected later. The current medical protocol calls for the surgical "reconstruction" of these different but healthy bodies to make them "normal," but this practice has become increasingly controversial as adults who went through the treatment report being physically, emotionally, and sexually harmed by such procedures.

Beside stopping cosmetic genital surgeries, what are intersex activists working toward?

Surgery is just part of a larger pattern of how intersex children are treated; it is also important to stop shame, secrecy and isolation that are socially and medically imposed on children born with intersex conditions under the theory that the child is better off it they didn't hear anything about it. Therefore, it's not enough to simply stop the surgery; we need to replace it with social and psychological support as well as open and honest communication.

What's so significant about October 26?

On October 26, 1996, intersex activists from Intersex Society of North America (carrying the sign "Hermaphrodites With Attitude") and our allies from Transexual Menace held the first public intersex demonstration in Boston, where American Academy of Pediatrics was holding its annual conference. The action generated a lot of press coverage, and made it difficult for the medical community to continue to neglect our growing movement. That said, events related to Intersex Awareness Day can take place throughout October and does not necessarily have to be on the 26th.

Ideas for Action:

Pamphlets for organizing intersex awareness day.

Click here to print out some articles to leaflet on intersexuality

Get some friends together and rally/demonstrate in front of a hospital or medical school demanding an end to genital mutilation.

Show a film or invite a guest speaker to speak about IS issues.

Learn more and get active with the Intersex Initiative.

hello, kitty

Well. I'm not sure I have the words to adequately describe this, so probably you should just watch it. Personally, I'd like to know who authorized this and who they thought their target audience was. Because really: Alice crawling through freudian tunnels of pink fabric to BDSM Hello Kitty world? Amazing.

the quarter-life crisis of Dionysus

Tonight I gathered up all of the books lying loose around my apartment and put them on shelves, in an order that made at least a small amount of sense. It's part of an ongoing effort on my part to make my apartment into a better and more "adult" living space, to have a desk relatively free of papers (we're not talking scattered pages here; we're talking stacks of sheet music) and a minimum of cat hair on the floor. It's always felt like some sort of moral disorder, my lack of tidiness; if I were truly a good person, I'd open all my mail and throw away my old magazines, or at the very least get rid of the old broken kitchen appliances sitting under one of my dumpster-dived (dumpster-dove?) chairs. But as it stands, I seem to be quite content to live at a certain level of sloth, and as long as I don't cross certain vaguely-defined lines ("not embarrassed to have the maintenance person come by" is a good one) I happily co-exist with my piles of outdated student-composed quartet parts, thrift store postcards, and a rather puzzling number of spare vacuum cleaner bags.

If I normally live somewhere in the Dionysian realms in terms of cleanliness, I do occasionally enjoy exploring my latent Apollonian tendencies. There's a certain satisfaction in having a sink free of dishes and a visible desktop; if nothing else, it makes me feel virtuous, like I've accomplished something I could potentially tell my mother about on the phone. So tonight, as I talked to E about unexpected mortality--and, alternately--survival and witnessing a forty-one year old's ecstatic personal breakthrough (which oh, I wish I could write about), I was also gathering up the books that I'd managed to slip onto every available surface over the past month or so. I started sorting them into vague categories, like wilderness books, political books, books by Toni Morrison (there were three). But the biggest category was roughly entitled "books I'm happy I've read and so want to have somewhere visible in case you've read them too and we can talk about it while we drink tea." Really, my pretense of virtue was just intellectual snobbery, a vice.

This is illustrated best by the fact that my desk is still six inches deep in sheet music. After I got the books shelved, I decided that, for tonight, my room was clean enough, and I wrote this instead. The books were the most important part anyway, and I can rest easy tonight knowing that, although the Toni Morrison is all shelved together, the Ed Abbey is spread out over three different sections of shelf. Even in my order, there has to be a little chaos.

semilla besada

Fall is not messing around this year. Have I talked about the weather lately? Because it's been a little odd. The spring was cold; the summer was late and never got all that hot. And then, within days of the autumnal equinox, we'd been catapulted into a rainy, cold, grey fall. Trees have been changing their colors for well over a month, presaging the actual season by weeks as the weather got steadily cooler.

On my block, although the other trees have finally started to yellow and drop their leaves, there is one singular tree that has been brilliantly orange and red since at least mid-September. I've picked up its fallen leaves as I walked by, maple leaves colored that amazing neon red with the veins still outlined in vivid green like a child's idea of someone getting electrocuted, the articulated skeleton bright beneath the flesh. Fall has been my favorite season ever since I moved here from Arizona and realized that it actually existed; even though it means winter is coming, there's something about the way the air feels that makes me profoundly happy. I wonder what it means that my favorite season is the one where things are falling asleep, or dying.

If spring is when I make my resolutions, fall is when I feel the most reflective. After a summer of exposed skin and fast bike rides, I'm beginning to break out my favorite and most comfortable clothing, scarves and corduroy pants and well-worn jackets. I'm walking places again, hands in my pockets while I take my time and memorize the street names and try not to look like too much of a peeping tom while I sneak glances into other people's lives. I'm an incorrigible eavesdropper, but I'm trying to get better at hiding it. I'm letting the chill air remind me of quilts and hot chocolate and cuddling instead of bitter cold and gritty ice, but I know that it's all tied together anyway. In order to have this time, this season of comfort and small but significant pleasures, I'll have to live through what comes after.

I swore, last year, that I would not stay here through another winter. In my mind, in the first actual "life plan" I'd made since graduation, I'd be living in Denver right now, adjusting to a new city and griping about the shitty public transportation because some things are the same everywhere. Instead, I'm here in my studio, looking at the grey sky and watching my cats tussle on the carpet. I don't regret it. It's (perhaps) unlikely I'll be here forever, but for right now I think this is where I'm supposed to be. My time in Chicago is not done yet, and in many ways I feel like I'm just beginning, five years after I first set foot here, confused and heartsick and terrified of the big city and grad school and pretty much everything. A year ago I felt like my time was winding down towards a logical conclusion, but it turns out I was just gearing up for so many changes I would never have guessed what was in store. I'm happy here. This is, for now, home.

I once had a postsecret published, and it seems increasingly relevant. I was sort of embarrassed at the time (and, frankly, I still am a little bit), because it was cheesy: a postcard, found at a thrift store, of a giant walk-through model of a heart that they have (or used to have) at the Museum of Science and Industry. I wrote it shortly after my graduation from Northwestern, deep in the middle of what was easily the worst time I've had to live through, on a relatively good day when I was trying to pull myself up by the metaphorical bootstraps. The words I taped to the front, full of the tentative hope that somehow the act of creating this card for a stranger would release me from some of my pain and sorrow, were these: "I'm so much stronger than I ever would have guessed." (Which is fine, except it was also followed by the word "Yay!" Oh cheese, we go way back.) At the time, my strength involved mere survival; three and a half years later, I feel actually strong. Strong enough, I suppose, for at least one more winter.

better late

This is actually something I wrote a while ago for Genderqueer Chicago. I wrote it, and I posted it there, and then I posted it here, and then I lay awake for two hours getting more and more anxious and then I deleted it from this site. And I felt like a chickenshit but not quite enough so to re-post it, so I've been debating ever since what that was about. I realized eventually that I was nervous to put something up that was so close to the bone; I write personal things here all the time, but this felt like it was just one inch over the boundary line I had been waiting to find all along. I felt uncomfortable.
But I decided today to post it anyway. I just got back from a radical queer conference where I was surrounded by happy, happy queer folk; I'm covered in sparkly makeup, and I talked all the way home on the bus about queering public policy in the Chicago public schools with a complete stranger that I met at the bus stop. Being queer has gone from being just an incidental fact about me to being something that is actively important to me. There are many reasons why I value this transition, not least of which is that by embracing more fully this aspect of my personality, I feel braver and surer and more confident every day. I'm surrounded by good role models, friends who live their lives with courage and outspokenness and strength, and it's inspiring me to try to be a little more like that myself. So, um... Here it is.

The Path of Least Resistance

“Oh, are you queer?”

It’s funny, kind of, because I feel like I’m finally owning my queerness in a way that I never have before, using my language and clarifying my own thoughts and wearing my heart on my sleeve as I revel in what is becoming an increasingly important aspect of my life. But even as I feel myself moving towards a more openly and adamantly queer identity than I’ve ever embraced before, I’ve been getting this question with increasing frequency. While I’ve been busy mentally and verbally busy expanding my queerness my physical appearance seems to be moving in the opposite direction, and the feeling that my interior and exterior are at odds has rarely felt so palpable.

Right now, I have shoulder-length hair and generally dress somewhere between somewhat girly and somewhat androgynous, and I’m usually pretty readily identified as a female-bodied person. I’m okay with that, more or less. I look kind of dorky with short hair, and I’m actually rather enamored of the sheer physicality of this new, longer style. (I wrote a while ago that I feel rather like Oscar Wilde, those magnificent pictures of him with that wavy luxurious hair and that air of decadence, cane between his knees as he stares as the camera. If that’s not queer, I don’t know what is.) And I’ve never been a physically expressive person; most of my wardrobe is more or less designed to let me pass under the radar, to allow me to avoid drawing attention to myself and instead stay in the background. In unfamiliar settings I’d rather listen than speak, to figure out things for myself before I begin talking, and it feels kind of hard to do that while wearing, say, neon tights or a really awesome fedora.

Maybe it’s partially the people I’m around lately. I spent most of the past few years in mostly straight company and I was rarely asked about my sexual preference and never about my gender identity, probably because I code as straight. I do my best to out myself as soon as possible (I’ve lectured my straight friends, usually drunkenly, about everything from queer porn to oral sex, with at least a few other topics in between), because I’m fully aware that I pass as a non-queer person unless I bring it up myself. It’s irritating and sometimes awkward to have to identify myself as the queer person in the room, but in some ways that’s almost easier than having to out myself as queer when I’m surrounded by other queers. I assume that straight people think I’m straight; I want to be able to assume that queer people think I’m queer, but most of the time I simply can’t. While I’m infinitely grateful to have finally found a queer community, it’s jarring to come up against my own conundrums again and again.

I’m aware of the fact that this is the opposite of what most genderqueer people experience, and it seems horribly selfish to complain about how much it bothers me to not appear queer when so many of my friends spend so much time and energy dealing with a physicality that is continually being questioned by most of the world. But it does bother me, and I don’t know what to do about it. Because I’m not a physically demonstrative person, I know that it’s not as simple as changing my style; changing the way I look would feel highly uncomfortable, and I’d rather spend my energy on something other than worrying about how awkward I feel about what I’m wearing. But because my genderqueerness isn’t confirmed by my physical appearance, I feel like it’s constantly being called into question, not only by others but also by myself. If I were really genderqueer, wouldn’t I feel comfortable with shorter hair or some tattoos or a tie or something? If I look like a girl, how can I claim that I reject the rigidity of that definition? There’s a kind of fucked-up power to passing, and even while I want none of it I also know I’m part of that every day, just because of the way that I feel physically comfortable.

I hate being defined by something as trivial as my haircut or whether I’m wearing a dress that day, but the friction between those external details and what I can’t seem to help feeling I should be presenting as is disarming. A queer should not defined by hir clothing, but all too often that’s what people, myself included, use to set up categories and definitions. I don’t know what to do about my personal discomfort, but I’m trying to use it to inform my own readings of others, to not put people into those oh-so-convenient boxes until I talk to them and have at least a cursory understanding of where they’re coming from. I can only hope that the people I meet will do the same for me.